Making The Third Man (1949)
Posted on Tuesday, December 4th 2012
Light, sound, and the wisdom to know when they should be hidden, and when they should be brought out.
Posted on Tuesday, November 27th 2012
Filmmakers Photobomb Their Illusions - E.T.
Posted on Sunday, November 18th 2012
Filmmakers Photobomb Their Illusions - the original Star Wars films
Posted on Sunday, November 18th 2012
George Lazenby, Diana Rigg during filming of On Her Majesty’s Secret Service (1969)
Posted on Monday, November 12th 2012
Would love to sit down to dinner and an espresso with Ken Adam.
Posted on Sunday, November 11th 2012
New Territory / Nuovo Territorio - subtitles for the Italian premiere of my short film.
Posted on Sunday, November 4th 2012
That time James Bond broke the fourth wall and then ran into his title sequence.
Posted on Tuesday, October 9th 2012
Proud to have made a small financial gesture towards this very excellent production. #crowdfunding
Posted on Sunday, October 7th 2012
Reblogged from P H Y S I C S
My short film NEW TERRITORY has been selected to screen at the 2012 Art Monastery Short Film Festival in Labro, Italy. From the festival: “The Art Monastery Project is an American non-profit arts organization dedicated to cultivating personal awakening and cultural transformation through art, community, and contemplation.”
Posted on Monday, September 10th 2012
“I’m coming for my knife.”
Posted on Sunday, September 9th 2012
The Black Stallion (1979) / director of photography: Caleb Deschanel
Posted on Monday, September 3rd 2012
I first saw La Jetee in a cinema studies course when I was an undecided major. I can recall the goosebumps I got at the end of the film. I was taking a photography course at the same time that I was falling in love with cinema, and this film really helped make the parallels quite clear and exciting. Later, after choosing film as a major (though I now know it’s really more of a pursuit), I did an independent study with the professor who, looking back, had the biggest influence on how this all came about. He had this book, a physical version of the film by Chris Marker, and he let me borrow it for a semester. At the time, a few short years ago, it was rare, and the internet, though in existence, was not quite as penetrating as it is now. It felt like a treasure. It’s an odd experience to flip through a film - this is the only book I know of to attempt such a thing and pull it off. Years later I found a used copy of it in a book shop for myself. I’m sure I could have found it online, but this happening was much better. It brought back the formative lessons and the excitement of discovery from earlier years, and reminded me of where this nonsense started.
Posted on Monday, July 30th 2012


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